The Rhetoric of Fiction

[PDF] Download ò The Rhetoric of Fiction : by Wayne C. Booth - The Rhetoric of Fiction, The Rhetoric of Fiction The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field One of the most widely used texts in fiction courses it is a standard referenc [PDF] Download ò The Rhetoric of Fiction : by Wayne C. Booth - The Rhetoric of Fiction, The Rhetoric of Fiction The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field One of the most widely used texts in fiction courses it is a standard referenc

  • Title: The Rhetoric of Fiction
  • Author: Wayne C. Booth
  • ISBN: 9780226065588
  • Page: 315
  • Format: Paperback
The Rhetoric of Fiction

[PDF] Download ò The Rhetoric of Fiction : by Wayne C. Booth, The Rhetoric of Fiction, Wayne C. Booth, The Rhetoric of Fiction The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field One of the most widely used texts in fiction courses it is a standard reference point in advanced discussions of how fictional form works how authors make novels accessible and how readers recreate texts and its concepts and terms such as the impliThe [PDF] Download ò The Rhetoric of Fiction : by Wayne C. Booth - The Rhetoric of Fiction, The Rhetoric of Fiction The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field One of the most widely used texts in fiction courses it is a standard referenc

  • [PDF] Download ò The Rhetoric of Fiction : by Wayne C. Booth
    315Wayne C. Booth
The Rhetoric of Fiction

About “Wayne C. Booth

  • Wayne C. Booth

    Wayne C. Booth Is a well-known author, some of his books are a fascination for readers like in the The Rhetoric of Fiction book, this is one of the most wanted Wayne C. Booth author readers around the world.

330 thoughts on “The Rhetoric of Fiction

  • I read this some years ago and it was completely impressive, all about tellin and showin and modernism wishing to drive out the author s voice and very not reliable narrators and four kinds of realism and Henry James and how tears and laughter are aesthetically frauds, god damn them to hell Years later when I thought of this book a little something popped into my head I saw a scarecrow in a field peering closer I saw he had my face and he was grinning glassily and singing I could while away the [...]

  • Not all literary theorists choose to focus on rhetoric, of course, but Wayne Booth is particularly interested in exploring the means by which authors persuade their readers Booth begins his book by commenting on some of the rules that have been promulgated about fiction writing, first discussing the admonition that the author must show rather than tell Booth cites many examples of fine fiction that seems to violate this rule, ultimately concluding that the distinction itself is simplistic and in [...]

  • Insofar as the title of Booth s book is The Rhetoric of Fiction, and that rhetoric is both the carriage of argument over words and the lack thereof, it is completely appropriate that Booth s book ends with him advancing the argument that his book has been about morality in fiction and acknowledging that most modern his word fiction is modern precisely in the lack of such morality.Booth s survey of fictional technique is both deep and broad, and is a fantastic spur to read some and this is perhap [...]

  • Exam reading Most of you probably don t care to read this I won t be offended This is pretty much THE bible for rhetorical literary criticism, which is, I discovered through the course of my PhD coursework, how I actually think of literature but didn t have the language for until recently My dissertation is going to be about applying this framework in secondary English For those of you who care Which isn t too many of you However, this particular text, for my purposes, was only super useful duri [...]

  • One of Narratology s most daunting curses is that everyone me too believes they know what it is about, except that they don t First and third person narration, sure, basic shit, right Except that NO Admitting at the same time the limitations of the field and not pretending it is an exact science while pretending it be treated with the methodological approach of an actual science, The Rhetoric of Fiction is a veritable gold mine explaining several key concepts in narratology A must read for any l [...]

  • Just when you think Booth isn t going to present any anecdotes about his friend in his youth beating off to the orgy scenes in Brave New World BAM there it is page 389.

  • I picked up and read Rhetoric from the perspective of an author wannabe, so my copy is now scored with underlines and margin notes that will enable me to keep my interpretations and its key points straight when I browse through it later for reference It goes beyond grammer syntax advice, beyond plot character theme construction, to explore what actually makes a good novel a good novel I m not taking away any hard and fast lessons Mr Booth largely dispenses with the possibility of such things but [...]

  • A systematic and even handed study for which I rate him up there with Bakhtin Convergence of critical analysis and craftsmanship in the modern novel, particularly in and after Henry James If one were to be so impudent as to simplify this book into any takeaway message, it is that one must take the middle way without generalizations, that we must remember the tautological fact If you do such and such badly, it will be bad Not that any method or technique is true or false, but that it must be true [...]

  • Wayne C Booth este poate cel mai cunoscut dintre membrii colii de la Chicago, care prin anii 60, se opuneau grup rii Noua critic i a fermei convingeri a acesteia c opera literar este un obiect estetic autosuficient i autoreferen ial, a c rei valoare trebuie c utat mai ales n limbaj i structur i al c rei autor poate fi ignorat Pentru criticii neo aristotelieni de la Chicago ns , stilul era doar un aspect, un material de construc ie de importan secundar n ansamblul operei.Considerat cea mai import [...]

  • It s a daunting book Readable certainly and not too pretentious, but daunting in its comprehensive nature The technical jargon in places doesn t pause to explain its complexities It helped me to look up words from time to time, beginning with the literal definition of rhetoric If you can brave the first few chapters, though, your understanding will kick in as the applicable points build out to explain themselves I found myself faltering at some headings, but by paragraph s end and with examples [...]

  • Wayne Booth first described the unreliable narrator An unreliable narrator is a narrator, whether in literature, film, or theatre, whose credibility has been seriously compromised 1 The term was coined in 1961 by Wayne C Booth in The Rhetoric of Fiction 2 This narrative mode is one that can be developed by an author for a number of reasons, usually to deceive the reader or audience 1 Unreliable narrators are usually first person narrators, but third person narrators can also be unreliable.The na [...]

  • This is a how to write book Despite the clever disguise as a geeky academic textbook complete with bibliography and footnotes and the disguise is so thorough that it actually is a geeky academic textbook complete with bibliography and footnotes.Anyway, it s about how writers actually do get readers to view the characters and circumstances the way they want them to How we maintain interest in the story Whether some demands about novels really don t make sense as shown by the way that many novel r [...]

  • Admittedly, I am only about 30 pages into the book, and I realize that the original edition was written in 1961, but I find myself balking at the notion of the author s voice I guess I ve read too much Barthes and also at the preponderance of the male pronoun when it comes to discussing the author too much feminist theory But when I take all of my poststructuralist leanings away, I find that this book will be eventually very useful for teaching formal approaches to fiction, as its tone, structur [...]

  • If you want to know how to read a novel, read this book I never thought there was anything substantial to reader response theory, but Booth s criticism is a perfect balance of measuring the concrete techniques used by an author with the subejective responses they produce This book will give you the tools you need to have a richer and deeper reading of any novel.

  • As usual, Booth is both perceptive and perplexing I think much of what he says of authorship can t be denied On the other hand, I DON T think he is right about many things, V Woolf for once It seems that he always sees so clearly and craves detachment

  • Raises lots of deeply fascinating and complicated questions about narrative shaping Reading a book like this proves that there is no such thing as realism in literature.

  • Seems so fundamental to understanding the intellectual, moral, and emotional aspects of distance, I m surprised it s not taught often at the undergraduate level.

  • I have rather mixed feelings about literary criticism These writers are far credentialed and experienced than I am in reading and understanding literature, yet I end up often than not thinking that they re doing it wrong It would seem pretty obvious from the weight of expertise that I must be the one who s misguided, but somehow I seldom end up being convinced to change my mind So it was with Wayne C Booth and The Rhetoric of Fiction, as described below.Part I Artistic Purity and the Rhetoric [...]

  • Here lies some spoilers wish I knew before I started It is definitely best fit for a student of litterature, or an aspiring author, but nonetheless, there is some common ground with film fiction regarding the communication between author director and reader audience It s most exciting parts, in my opinion, are the analysis of the different kinds of narrators, and the relation between narrator and author something that s definitely handy knowledge to carry around and have in the back of my mind c [...]

  • I ve been reading this book, in parts, for years and have finally I think tied all the parts together As a writer, I find Booth s analyses of the narrative voice intriguing, though perhaps at times over explained A side benefit to this book is its bibliography of literature, critical commentary of which has opened my eyes to the merits of books I might never has sought out, for instance, Tristram Shanty now on my to read list.

  • This is a pretty good book for those who are majoring in literature It spotlights elements in the process of reading that one may not pay attention to I didn t like how the author seemed to have a sense of superiority all over It s as if he knows better than anyone else how to analyse novels Nevertheless, it s worth reading.

  • One of the toughest books I ve ever read but worth it In college, I studied primarily science and history with only a few courses in English, thanks to good AP scores from high school But in the past two decades, since I ve become interested in writing, I regret not taking courses on literature I ve been on a binge of reading nonfiction titles on the mechanics, theory and history of literature The Rhetoric of Fiction was the most recent.With professorial expertise and objectivity, Booth dives d [...]

  • It helps to have read Emma, Tristram Shandy, Samuel Beckett s Company, some Dafoe, some Swift, and whole lot of Henry James, to really piece this work together Booth is primarily concerned with the relationship between the narrator, the implied author, and the reader I think he is one of the first to use the term unreliable narrator to describe the critical distance required when reading a first person narrative I enjoyed his analysis of Austen s Emma the most, as I recently reread it and apprec [...]

  • A scholarly examination of the art of fiction, focusing on the debate between showing and telling, and on the way point of view has changed through the years My favorite part comes at the end, when Booth argues so brilliantly for the existence of moral values in art, and specifically in fiction, to the chagrin of the modern nihilists and a moralists.

  • Over fifty years since its first publication The Rhetoric of Fiction remains not simply a core text for readers and critics, but is essential reading for all writers The Kindle edition, as well, has been well constructed and now is preferable to the print edition Rating 4 out of 5 stars.

  • If you are interested in the time honored showing versus telling debate, this is the the Compleat analysis Academic, yes, but congenially written, and useful to any fiction writer.

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